X Meets Y ... The Horror Edition

   This round of Chuck Wendig's Flash Fiction Challenge is X Meets Y ... The Horror Edition!  The Random Number Generator selected for me: Nightmare on Elm Street meets Back to the Future!  Please do enjoy!

Back to the Nightmare

   

   The speeding car grew increasingly faster as Nancy, Tina, Glen, and Rod banged on the windows, struggling to get out.  As their screams pierced the air, Marge tried to help them, only to be pulled inside the car.

   The hood started smoking as the car raced down the bucolic country road, driving the passengers to new heights of fear and panic.  Nancy's eyes grew wide as she saw the earth before them caving in.  Barreling toward the cliff, their death seemed imminent.

   Freddy threw his head back, as he released a menacing laugh.

   Suddenly, the tires popped.  The car spun away from the cliff, careening into the desert.  

   Nancy hit her head, forcing her back to reality.

   She looked around, realizing her friends were gone.  She was alone, behind the wheel, and apparently had fallen unconscious while driving.

   "Are you OK, M'am?"

   The voice jolted her.  She looked up to see a guy with a funny-looking hat.  She shook her head and squinted her eyes.

   "Wh-who are you?"

   "I'm Marty.  The fate of the world is in danger.  We have to go back in time to save your friends.  There's no time to explain.  Get in the time machine!"

   He helped her out of the car and put her into the DeLorean.  Stunned, she looked around at the high-tech car's interior.

   She could see how the car stopped; a string of nails stopped the car, subsequently saving her life.  She rubbed her head where she had hit it, still in disbelief.

   As he strapped himself in to the car, he explained what happened.

   "Nancy, you and your friends are the only ones who understand Freddy, who know how to kill him.  You are the only ones who can save the rest of the world.  

   "Doc visited the future, and saw what happens.  In the future, he terrorizes teenagers and kills them, one by one.  He moves from town to town, leaving a trail of murders in his path.  

   "For every kid he kills, he gains their life force.  Ultimately, he becomes all powerful and wipes out the entire human race."

   Nancy took a minute to process what she had just been told.  She took a deep breath and looked up.

   "Let's kill this son of a bitch, once and for all," she pronounced.

   Marty set the time back and explained when they were going.

   "Doc and I snuck into the Libyans' camp, and stole the rest of the plutonium to fuel the time machine.  Then, we took all of their guns and ammunition.  And trust me -- you'll need it."

   Marty and Nancy went to the sleepover, where Tina was murdered.  They snuck into the room where Tina and Rod were about to sleep.

   Nancy hid battery-operated alarm clocks under the bed, and in the closet, and everywhere she could think of.

   That night, as time Tina and Rod started to drift off, they were jolted awake by the first alarm.

   "What the fuck is going on," Rod demanded.  He and Tina looked all over to find the alarms.  "Is this your idea of a joke, Glen?"

   Marty and Nancy hid, watching the agitated teens bicker over the alarm clocks.  It seemed pretty juvenile, but they saved lives that night.

   The next day, as the kids went to school, Marty told Nancy the second part of his plan.

   "You're going to have to bring him into our reality.  When you originally did that, you didn't beat him.  But I've watched him, and I know how we can take him down.

   "We will need you, and Present Nancy, to join forces.  There will be unforeseen effects on you in the future, but it's a small sacrifice to pay for saving the world."

   When Nancy and her friends got home, Marty greeted them and told them he knew all about Freddy.  He then told them where he was from, and introduced them to Future Nancy as proof.

   "Oh my god," Present Nancy exclaimed, looking Future Nancy up and down.  Future Nancy took her hand and assured her: We're going to get through this.  We have to.

   Marty showed them his arsenal of weapons, and how to use them.  

   "Future Nancy is going to fall asleep, then bring him into our world," he told them.  "The second that happens, we have to kill him.  The fate of the world is in our hands!"

   Future Nancy got in on a group hug with Present Nancy, and all of her friends.  Then, she laid down, fully aware that it was a suicide mission.

   The next thing she knew, she was in a dream world again, surrounded by birthday cake and brightly colored streamers.  It was her fifth birthday party, the best memory of her childhood.

   She and her friends sat around a table, and the grown-ups brought them cupcakes.  She excitedly bit into hers, and a copper taste filled her mouth.  She looked to see blood started oozing out of her birthday cake.

   She gasped in shock, and looked around to see all of her friends eating normal cake and fully enjoying themselves.

   "OK, guys, it's time for presents," her mom announced.

   She was excited to see what she got.  Her mom brought around a big box that was too big to be carried.  It was bright green, with a pink ribbon tied around it.

   She couldn't wait to open it!  This was the biggest gift she had ever seen!

   When she pulled one of the ribbon's tails, the bow came undone and fell to the floor. 

   "Pop goes the weasel!"

   Freddy burst out of the box, fully extending his claws.  The children screamed.

   "Nancy, I've come for you!  I'm here to make sure you have a screaming good time!"

   Nancy screamed and ran.  She ran down the hallway, tears streaming down her face.  She knew what she had to do, but her old fears took over.

   She ran into a dead end.  None of the doors would open.  She turned around to see Freddy looming overhead, ready to strike.

   She ducked as he swung, and grabbed him at the waist.  As she tumbled, the impact woke her, and she brought Freddy along.

   "Nancy, run!"

   Nancy did as she was told, and ran past her friends as they pointed their guns at Freddy.  They all started shooting.  He laughed maniacally as the bullets had no affect.

   He slashed Rod, and watched in amusement as his body fell, lifeless, to the floor.

   "You want me, come and get me," Freddy sang.

   He disappeared, and reappeared behind Tina.  Her eyes grew big as the blade of his claw drew a red line across her neck.  He disappeared again as her jugular vein spurted her lifeblood all over the room.

   Marty ran, looking for Future Nancy.  He arrived at the kitchen to find that he was too late.  He watched in horror as Freddy carved her tongue out with a paring knife.

   Freddy sneered at Marty.  "Well, are ya gonna do something?"

   He slit open her abdomen, letting her entrails spill out.  "Or are you chicken," he mocked as he held up her liver.

   A dark pall fell over Marty's face.

   "Nobody.  Calls.  Me.  Chicken."

   He lifted his flame thrower and let loose on the scar-faced demon standing before him.  Freddy screamed in horror, begging it to stop.

   He was reduced to ashes.  Marty dropped his weapons, breathing a sigh of relief.

   "Glen?  Nancy?  You guys OK?"

   Nancy called out, "Is he dead?"

   "He is."

   Nancy and Glen came out to see the carnage in front of them.  She cried as she saw how her future self died.

   Glen held her closes as she cried on his shoulder.  Marty bowed his head in solemnity.

   Suddenly, a giant harpoon pierced all three of them.  As the teens gargled, looking around in wide-eyed shock, Freddy's laughter filled the room.

   "Did you think you were free?  You are all my children.  Forever!"

   "Freddy," Marty pleased.  "That car Nancy and I came in, it's a time machine!  You can go back to before all of this happened.  To before you were burned.  To before all of this!"

   Freddy laughed again.

   "Foolish boy!  Before, I had no power!  Now, I have more power than ever!  And it grows with every kill!

   "I am a horrible, vengeful god!  I destroy at will!  And nothing can stop me!"

   The teens gurgled up blood as Freddy laughed in their faces.

   "Did you like how all of this went down, because I sure had a good time," Freddy taunted.  "In fact, I think I'll keep doing this!  Using the DeLorean, I can travel back in time, and kill each of you a different way each time!"

   He laughed maniacally as the three watched helplessly.

   As he climbed into the DeLorean, he winked at the teens.

   "This is going to be fun!"

Why I Write

This week's Flash Fiction Challenge is actually not writing fiction; it's writing about why I write. Here it is:

Why I Write

   I can't remember the first time I sat down and wrote something of fiction.  I can, however, remember the first time I had a favorite book: Golden Book's "The Pokey Little Puppy", because in my young, impressionable mind, desserts and puppies were a double-win.  (And still are, as a matter of fact!)

   I've always loved books, and I read hungrily and fervently from a young age.  (I had serious coordination problems when I was younger.  Sports were out of the question, but reading always came easy to me.)  My favorite pastime was to go to the library, check out the maximum number of books, and read them all in the two-week period before they were due.

   I had a lot of difficulty expressing myself as a child.  My parents tell me that I took a long time to learn to talk.  My brother, who was two years older, would speak for me.   

   When I finally did start talking, I had a speech impediment.  I couldn't pronounce my "Rs", and had serious problems acquiring a normal speech pattern.  This, combined with my lack of coordination, made for a very awkward childhood.  It was very isolating; even in my family, no one else had my issues.

   It wasn't until my freshman year in high school that I found my own voice through writing. Something clicked.  I realized I could write the way I always wished I could speak.  I learned that my family, all of whom were overbearing, could finally understand what I was trying to tell them if I put it in writing.  

   Through writing, I could make myself clear without being talked over or interrupted.  Through writing, my thoughts, which were otherwise horribly snarled together, would magically untangle and set themselves in order.  Through writing, who I really was could come through, unobscured and untainted.  Through writing, I was made to be understood.  Through writing, I was made whole.

   Over time, I was able to work out some of the kinks in my verbal communication skills.  Menial jobs that included repetitious phrases helped me to improve my speech patterns.  But writing remained -- and still remains -- my most effective form of communication.

   There were times in my life when I didn't write.  Caught up in Pursuit of the Practical, I was ultimately unfulfilled.  I knew there was something missing, but I couldn't quite put my finger on it.  It wasn't until my last newspaper job, after a five-year hiatus from the journalism industry initiated by a layoff, that I realized why I wasn't functioning properly.

   I needed to write.  I needed to express myself, to reactivate that part of my brain that I had abandoned.  So I blew off the dust and cleared away the refuse in that part of my psyche which I never should have neglected.  I Googled writing exercises, and found Chuck Wendig's Flash Fiction Challenges.  

   Immediately, I knew I was back where I belong.  His challenges sparked my imagination and lit a fire that I had allowed to die out.  His writing inspired me.  And his advice encouraged me to embrace that which Everyday Routine and Pursuit of the Practical had made me forget.

   For some time, I shied away from becoming a novelist.  It seemed too daunting.  I didn't think I had the attention span for it.  

   And let's just say I was late to the NaNoWriMo party; I actually didn't even know what it was until I saw it in Wendig's blog last fall.  I was afraid to start it then, but a part of me wondered ...

   This past Spring, the local Nano group I had joined on Facebook mentioned a writer's conference that coming weekend.  It was the single most influential weekend I've experienced in a long time.  

   It was more than just the sessions, which were amazing and inspiring.  For the first time, I finally felt like I was surrounded by my people!  I could sense the kindred spirits all around me, and it was invigorating and refreshing.  

   My entire life, I've been misunderstood.  I've felt like a misfit, even in my own family.  On the Briggs-Meyer's scale, I'm INFP.  After researching this personality type, I've started to better understand myself.  (Of course I've always been "weird" -- those with my personality type comprise only 4% of the population.)  

   For this personality type, writing is an ideal career.  When I first saw that, I casually dismissed it, having been brainwashed for years to believe that the Pursuit of the Practical was the only way.  

   This summer, I finally decided to take the plunge.  My first Nano of any kind, JuNoWriMo, was an eye-opener that broke major ground for me.  I was challenged beyond anything I had ever done, and I realized my personal limits in writing were just arbitrary constructs that I had created out of fear.  They weren't based on reality.  

   Breaking through those walls taught me that I could do anything I set my mind to.  Before June, the most I'd ever written in one day was 3,000 words.  On my novel-writing journey, I had two days where I wrote 10K words, thanks to word sprints and word wars.  I completed 50K words two days before the end of the month.  And in July, when I participated in (and completed) Camp NaNoWriMo, I wrote 15K in one day.

   Writing can be a scary thing to pursue, when everyone around you pressures you to join them in the Pursuit of the Practical.  What they don't realize is what is practical for them can be death to someone who is meant for creative pursuits.  

   What is truly practical for me is to embrace who I am as a writer.  To stop hiding behind socially-mandated norms.  To stop making excuses.  To stop numbing my brain and allowing myself to be lulled into complacency with hours of television.  To stop the bullshit.

   Why do I write?  Because I must.  For me, to try to exist without it is to deny who I am at my very core.  It's every bit as necessary as breathing.  To not write is to stifle my creativity, my potential, my very being.

   I have outgrown the cage that was built for me by well-meaning people in my life, and by myself.  At this juncture, it's either: spread my wings and fly, or allow my wings to be clipped by limiting beliefs.  In refusing to fly, I would sentence myself to become haunted by the ghosts of unfulfilled potential, and cursed to forever wonder what my life might have been, if I had just been brave enough.  

   As a certain three-eyed raven from GRRM's novels is fond of saying, "Fly or Die."

The Corruption of Things Which Were Once Alive

This week's Flash Fiction Challenge is Random Phrase, where you visit a website that gives you a random phrase and write 1K words including that.  My random phrase is "forensic souring".

The Corruption of Things Which Were Once Alive

   Lester never really loved his job.  It was just something he did, on the way to finding his dreams.  The economy had crashed right after he graduated college with his degree in graphic design.

   He loved art and design.  It was his life.  In his younger years, he dreamed about working at a cutting-edge advertising firm, or designing for his favorite magazines.  The possibilities seemed endless -- that was, before he got a taste of the real world.

   He felt like he was really good at what he did.  He worked hard.  He had talent.  He had passion.  But what he didn't have was a job lined up for when he graduated.  

   One by one, his friends around him were offered internships and full-time jobs.  But for some reason, he couldn't seem to get his foot in the door.  He sent letters to firms and businesses around the country, just begging for someone to give him a chance.  But competition was fierce, and he was somehow always overlooked.  He took freelance gigs whenever he could, but those were few and far between.

   After three months of living as a starving artist, he reluctantly took a job as a mortician's assistant.  The pay wasn't much, but it was just enough to pay the bills, and to buy him an occasional night out.  He promised himself that he would keep applying for jobs, that maybe it would become easier now that the pressure was off.  Maybe he would have better luck now that he wasn't so desperate.  Maybe.

   After about a year of learning the trade, the mortician took a higher paying job at a competitor, and he was automatically promoted.  It meant a huge upgrade in his way of life.  He couldn't pass it up.

   Lester was perfecting his craft.  Corpses seemingly came to life as he painted their faces and stitched their wounds.  Sure, it wasn't his original passion, but it paid the bills.  He was coming up in the world.  

   Over time, he was practicing design less and less in his free time.  His freelance work went from being put on the back burner to being thrown away completely.  His hair was greying, his skin wrinkling, and his dreams decaying, smothered by the life he created for himself.  In the bustle of everyday life, working to survive the real world, he forgot about his dreams altogether.  

   That was, until Frances Englebert was wheeled into his lab.  

   "Old Frankie!  Man, it's been a while.  I'm sorry to see you like this."

   He sighed in remorse, wishing for one more opportunity to speak to Frankie.

   Frankie was a talented artist, and Lester's friendly rival at the art college.  He looked up to him, envied him. Especially when he was offered a job at a big design firm in New York City.  Lester read in the funeral program that he had made quite a life for himself.  He worked his way to the top, and started his own firm.  He had a beautiful family, and plenty of friends.

   And now, here he was.  His death was a tragedy, but his life was an inspiration.  His legacy lived on through his children and his business, all of which had flourished.

   Lester felt tears roll down his cheek.  It was the first time he had felt anything in years.  It suddenly dawned on him -- all this time, he had put all of his energy into living the practical life.  He was surrounded by decay, spending all of his efforts trying to make death look as pretty as possible, painting an illusion of animation over the forensic souring that corrupted that which was once alive.  

   The reality sank in that night as he prepared his old friend for his final presentation to the world.

   The next morning, the funeral director came in to see his mortician crumpled on the floor with tears in his eyes, his face puffy from hours of crying.

   Lester was mourning, not just for his friend, but for himself and everything in his own life that he had allowed to die.